Nightmares and
Dreamscapes
Only with a smaller cast. And less Fox telling fans to go fuck themselves. |
I keep touting the end (of Trader) approaching. To not be called a dirty liar, I am
devoutly working towards that goal.
As such, it is time for cover art.
Initially I wanted a Grand Theft Auto type cover, or the type of cover
that Firefly used for its box set.
But then…
My editor came up with an interesting point – as she is wont
to do (see the discussion involving the naming conventions, which coincidentally
ALSO involves a Firefly reference).
She said “You don’t really give much description when it comes to your
characters [sic].”
“But,” she conjectured, “it works.” Totally, completely, utterly, mostly on
purpose. Not really though. It does work, and that is insane! The reason, as I’ve figure out from
reading Cracked.com, is that your mind fills in the blanks on its own. Horror is at its scariest when the
monster is still hiding in the shadows.
Tolkien is a great writer but he gets fucking tedious after spending
several paragraphs on describing what a tree looks like. If you are talking about a magical
forest, gimme some snapshots and I’ll do the rest. It ruins the imagination.
Where am I going with this? Lemme back track… Right! I want the hero of every one of my stories (sans the graphic
novels, because screw you that’s why), to be YOUR hero. I want the villain to be your villain. I want every character I develop in
these books to be, at their very core, yours. My intent to guide you where needed to capture an archetype,
or to keep someone (like Keian) implacably constant. Trader – much to my surprise – wears different masks as the
story progresses, according to a bunch of people that I’ve handed a manuscript
over. Purely accidental, and I
wish I could recreate that in everything I do, in the same manner.
Oh, I’m taking submissions, we’ll do a contest if more than
three people enter. Please? Just don’t ruin people’s ability to
think.
In my defense, he was a douche. |
I just woke from a dream wherein I bludgeoned a man to death
with an odd combination of a less than sturdy baseball bat and a rolling
pin. It was a challenge, I’ll say
that much. And the fight was legitimately
recognized and refereed. I was a
stand in for a much stronger man, and cannot for the life of me remember the
reason for the gauntlet being thrown.
In the context of necessity, I remember the deed needing to
be done. However, the
circumstances leading up to the fight are fuzzy. Something about demons and possessed machines inside a very
large spire. As far as the event itself goes, it managed to burn itself inside
my retinas. The man I killed was
the definition of a bro. Frat
material through and through. Even
so, it was…
Disturbing.
I know we all have the capacity to kill. It’s hardwired as a survival technique,
regardless of what lies or stories we tell ourselves. Fortunately, the experience for most people is so traumatic
that even the attempt is unthinkable by anyone with a conscious.
The exception is when it comes to need and desire. Need could fall under a whole slew of categories,
such as kill or be killed. In that
situation, if and when you come out on top as the survivor, the feeling is one
of elation. A murderer on the
other hand, enjoys it because that feeling ecstasy.
Trader began killing for the former, but continued to do it
for the rush brought by survival.
Whether or not external motivation for justice or monetary gain exists
(where justice is generally the reason behind the contracts and money the
compensation and illegal activities on the side balance out both of those
things) is irrelevant. The
question raised is that of is killing in the name of supposed law okay if the
killer enjoys his job?
Cel, by definition, is a murderer through and through. Don’t over think that one.
The more I write about Keian, the less I know what the hell Keian is.
No Trader until later today. About to break 60,000 words (and another three or four chapters), so I'd like whatever chapter I post today to be something critical.
In the meantime, here's a camel spider.
Come at me, bro. |
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